Your best skill is making it look like nothing's wrong.
Your technique fools everyone. Except you.
The painting you keep correcting is the only one worth keeping. And nobody is coming to give you permission.
I write about that. You subscribe here.
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I run a program where 63 artists dismantle their own cages on an island. I will try to sell it to you.
But first, every email tells a story about an artist. By the third one, you'll notice the artist is you.
The first email is a welcome and a question. The second one is where it starts to sting.
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Fair warning
Some artists are still surprised by what comes out. They don't need my emails.
The rest of us already know what's coming before we start.
If you'd rather keep knowing, my sincere recommendation is that you don't subscribe.